Reviewer John Cowans: John lives in
retirement in Chester, NS ,where he has been an Instructor with
Seniors College Association of Nova Scotia.
He is currently working on a personal memoir, Other People’s Children, and his first poetry collection, Hope.
Author: Amnon Kabatchnik
Publisher: The Scarecrow
Press Inc.
Author: Amnon Kabatchnik
Publisher: The Scarecrow
Press Inc.
ISBN: 978-0-8108-8354-3
“The first stage crime was committed in ancient
Greece.” With those auspicious words, Amnon Kabatchnik begins
his excellent 37 page Introduction to the third volume of his
monumental survey of plays of crime and mystery written in English
largely for the American stage during the Twentieth Century; however,
his Introduction is really a concise and readable history of crime
stage drama on both sides of the Atlantic, and should serve students
of the theatre well as an entertaining refresher of this particular
genre.
Born in Tel Aviv, Israel, Amon Kabatchnik received his BS
degree in theatre and journalism from Boston University; he also
holds an MFA degree in directing from Yale School of Drama. He served
as Professor of Theatre at several universities including Stanford
University and Ohio State University. He has also directed numerous
dramas, comedies, thrillers and musicals. Blood on the Stage
1975-2000, continues the study which began with three previous
volumes in this series covering the years 1900-1975. Mr. Kabatchnik
is also the author of Sherlock Holmes on the Stage.
The author
refers to his series as an ‘Annotated Repertoire’, which it
certainly is, providing extensive information about 82 plays. For
example, the entry on M Butterfly (1988) by David Henry Hwang
covers seven pages. Following its opening paragraph which gives
the factual background to the narrative, there follows a detailed
scene by scene description of the play. Then its stage history is
given, followed by a three page biographical note on the author,
David Hwang. The publisher of the acting edition is listed next,
followed by the Awards and Honours received by the play; the entry is
concluded with a list of its textual notes. This format is followed
fairly closely for each of the 82 listed plays although in many of
the summaries a section is added giving critics‘ assessments.
An
additional feature of this excellent reference work is a series of
five Appendices. Appendix A, titled Deadly Poison surveys in essay
form the use of poison in stage drama since Euripides presented Medea
in 431 BC; Appendix B, Twentieth -Century Courtroom Dramas lists
plays since 1900 that unfold in a courtroom; Appendix C
presentsTwentieth-Century Death-Row Plays; Appendix D deals with
‘Children in Peril’; and Appendix E lists by author ‘Notable
One-Acts of Mayhem, Mischief, and Murder.
At $125.00, and one can
only assume that the other volumes in the series are similarly
priced, this excellent reference book is beyond most individual
budgets; however, I must recommend that Public Libraries, School,
College and University Libraries, invest in Mr. Kabatchnik’s three
volume opus. I would further suggest that professional and amateur
theatre groups invest similarly.