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Nancy Hatch Woodward

Nancy Hatch Woodward has been a freelance writer for over 15 years and has published over 650 articles (the vast majority in national publications).  She is the co-author of Eldercare: Caring for Your Aging Parents (National Institute of Business Management 2002).  In addition, she has published short stories, poetry, and essays in a number of publications.  Nancy hs taught creative writing through Chattanooga State Community college, college writing at the University of Tennessee Chattanooga, and business writing for corporations such as BlueCrossBlueShield of Tennessee. Nancy is also the founder of ChattaRosa, a writing and critiquing group for women.

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 Articles by this Author

Whatever your character is doing or wherever he is going, you need to be able to supply the details of the chore or place.

A lot of new writers believe that as long as they are writing fiction, they really don’t need to do any research. And while, on first blush, that may seem to be the case, experienced writers know that almost any story they write will require research. The main reason? To make their writing resonate with readers by being authentic.

Incorporate your life with your writing, and not to put “writer” over in a column separate from all the other parts of you

Your job is to frequently surprise you readers with the words you use and their juxtaposition.

I think poetry may be our best ally for connecting with the earth, with our roots, with our spiritual nature. Mystics for generations have used poetry as a way to convey their oneness with everything – a state of being that all say is so very hard to describe. We don’t have to have undergone an enlightenment experience, however, to struggle with how to put into words the wonderment, the awe, we feel about our lives and this world.


It’s still poetry month, which got me thinking about how most of us were first introduced to poetry – it could have been Mother Goose rhymes or Dr. Suess. But perhaps the real rite of passage into poetry came when we were in grammar school and had to memorize a poem. It’s still a wonderful idea even as we get older


We talk a lot about narrators in our prose, but did you know your poem has a narrator as well? While perhaps hidden, someone is the speaker behind the poem. Who is it? What is her/his mood? How does he/she speak?


Metrophobia is the fear of poetry. Many people believe poetry is only for extraordinarily gifted writers, for special occasions, for the intellectuals. But poetry is about life, about our daily existence – how we love, die, grieve, celebrate, and find meaning.


Probably one of the biggest mistakes writers make is not going deep enough. They just skim through the scene, the emotion, the scenery, the problem, or the resolution.



Nancy Hatch Woodward Discusses What Is Freedom In Our Writing?

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