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Wally Wood

Reviewer Wally Wood: Wally is a a professional writer and a member of the American Society of Journalists and Authors. He holds a master's degree in creative writing from the City University of New York as well as a bachelor's degree from Columbia University where he majored in philosophy. As a volunteer, he has taught writing in men's state prisons and to middle-school students in his local library.

His first novel, Getting Oriented: A Novel About Japan received positive reviews even from people who do not know him. As a ghost-writer, he has written 19 business books, all published by commercial publishers. He has recently published The Girl in the Photo which is currently available from Amazon and Barnes & Noble as a trade paperback or Kindle download.


 
By Wally Wood
Published on December 27, 2016
 

Author: Andrea Camilleri

Publisher: Penguin Books

ISBN: 978-0-14-312644-7




Author: Andrea Camilleri

Publisher: Penguin Books

ISBN: 978-0-14-312644-7

Andrea Camilleri's A Voice in the Night  is, by my count, the twentieth Inspector Montalbano mystery. Because the translation is copyrighted 2016, I believe it is the most recent. I have not read every one the first nineteen in the series, and a reader who starts with this one may wonder about the relationship between Montalbano and Livia, his main squeeze, who appears in this book only on the telephone, and his relations with other reappearing characters.

Montalbano in this book is 58-years-old. He's an experienced Sicilian homicide detective who has to—you will excuse the reference—thread his way between the Scylla of the local mafia and the Charybdisof of a corrupt political system. Montalbano may be able to solve the crime, but there's no guarantee that justice will be done.

This tension, between a (relatively) honest police detective and forces well beyond any individual's control is one of the things that makes the Montalbano mysteries interesting. They are also interesting puzzles, and Camilleri does not, for the most part, cheat the reader. (He will, as we're coming down to the denouement, not reveal exactly what Montalbano has planned, only that he has plans.) And they are, for me at least, convincing pictures of what a certain slice of contemporary Sicilian life is like.

Montalbano has to solve two crimes in A Voice in the Night: A routine supermarket burglary turns unroutine when the store manager is found hanging in his office—and forensic evidence suggests he was murdered. Almost simultaneously a lovely young woman is found brutally slaughtered in the apartment of one Giovanni Stranglo. Stranglo has a solid alibi, but, as it happens, his father is the president of the province. Traveling with Montalbano as he works with his staff to solve the two cases (we never leave the inspector's point of view; my preference in a mystery), we watch him uncover clues and red herrings and—surprise!—solve the crimes.

The book is not perfect. In an attempt, I suspect, to suggest the Sicilian dialect, the translator has one of the thankfully minor characters talk like this: "My virry best wishes wit' all my 'eart for a rilly, rilly long life an' alla 'appiness an' 'ealthiness inna world, Chief!" I find a little of this goes a long, long way. Also Camilleri wrote the book when Silvio Berlusconi was Italy's prime minister, so there are a few topical references that are outdated.

Nevertheless, for readers who have been following Inspector Montalbano's career, A Voice in the Night is a creditable entry in the series. And for mystery lovers who do not know the detective, it's time to make his acquaintance.