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Over With You Reviewed By Dr. Wesley Britton of Bookpleasures.com
- By Dr. Wesley Britton
- Published August 26, 2012
- Music Audio CDs & DVDs
Dr. Wesley Britton
Reviewer Dr. Wesley Britton: Dr. Britton is the author of four non-fiction books on espionage in literature and the media. Starting in fall 2015, his new six-book science fiction series, The Beta-Earth Chronicles, debuted via BearManor Media.
In 2018, Britton self-published the seventh book in the Chronicles, Alpha Tales 2044, a collection of short stories, many of which first appeared at a number of online venues.
For seven years, he was co-host of online radio’s Dave White Presents where he contributed interviews with a host of entertainment insiders. Before his retirement in 2016, Dr. Britton taught English at Harrisburg Area Community College. Learn more about Dr. Britton at his WEBSITE
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Musician: Steve Forbert
Label: Blue Corn Music
ASIN: B008M9DGP2
Perhaps no group of musicians has a harder time getting the word out about their work than independent singer/songwriters. They sing, they write songs, they play instruments—but how are they defined? Country, folk, folk/rock, Adult Contemporary, Americana, roots? All the above, some of the above, none of the above? Is it easier to compare/contrast such artists with better known practitioners like Warren Zevon, Leonard Cohen, Paul Simon, or Bruce Springsteen? All the folks who are, I think it was John Wesley Harding, humorously described as “Dylan’s dumbass younger brothers.”
Such is the case for Steve Forbert whose Romeo’s Tune was a Number 11 Billboard hit in 1980. Right out of the box, the Dylan comparisons came flying. Forbert later said, “You can't pay any attention to that. It was just a cliche back then, and it's nothing I take seriously. I'm off the hook — I don't have to be smarter than everybody else and know all the answers like Bob Dylan."
True enough. Now
with 14 albums under his belt, the most consistent term used to
describe Forbert’s work is “under-appreciated.” Over With You
isn’t likely to be an album to change all that, but it is worthy of
appreciation for listeners who like gentle story songs.
According to his
video about the album at YouTube, Over With You came about when
Grammy Award-winning producer Chris Goldsmith told Forbert that Ben
Harper had five days of unused studio time open and that Forbert was
free to use the hours. While some reviewers have said the result was
a “song cycle,” in fact Forbert sent Goldsmith 15 of his most
current compositions, Goldsmith chose 10, and the producer quickly
assembled a handful of players to record the tracks. Forbert admitted
he knew no one else involved in the sessions but feels the results
were spot on.
It turned out most
of the songs were relationship-oriented and “slowed down,” in
Forbert’s words, to avoid a “poppy” feel. Considering the time
constraints, Goldsmith should be credited for nailing down a
barebones, stripped down tone for Over With You, especially the mic
placement which adds a rough echo to Forbert’s voice. Admittadly,
the instrumentation is so minimal, many songs sound like well-mixed
demos. Forbert indeed focuses on relationships between men and women,
especially break-ups and their aftermaths in songs like “All I
Asked Of You,” “In Love With You,” and the title song.
Not all the offerings are slow cooking ballads, as in “All I Need To Do” with its simple keyboard hook. Likewise, “That'd Be Alright” is driven by simple upbeat percussion. The harp on “Baby, I Know” probably will encourage some listeners to think Springsteen and Dylan, and with good reason. On the other hand, the rich imagery of “Don't Look Down, Pollyanna” is about as original and contemporary as a lyric can get, about a woman who’s on the ledge as she lost her home to heavy mortgage payments.
Over With You is a listenable set of 10 songs that aren’t going to set the world on fire, although I suspect alert performers out there might find new tunes for their catalogues. It will most likely appeal to mature listeners looking for, ah, folk, folk/rock, Adult Contemporary . . . music you’ll probably want to play more than once. Not all Dylan’s younger brothers are dumbass, by miles.
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