Ms. Deb, as her students affectionately call her, is the CEO & Founder of Creative Writing Institute, and the former A-1 Writing Academy (now defunct).
"The A-1 Academy was a pilot program built within the virtual walls of a large writer's group," said Deborah. "In the first year we drew 600 students, but I wanted to reach the public. In another year Creative Writing Institute was created. It is a high-quality, low cost writing school with full-time mentors and small classes. Even distressed students and seniors can afford our prices."
Creative Writing Institute now partners with http://bookpleasures.com to bring the best and most up-to-date information available to creative writers everywhere. Check out the new school by Clicking Here.
All creative writers are bound to an
invisible law of journalism. From the beginning of time, the same
structure has been used. All of the great writers use it. But after
this lesson, you will see that story structure is far more than the
· Exposition – the beginning, what the story is about
· Conflict – conflict with man vs. man, man vs. nature, or man vs. internal conflict
If you Google "story structure," you will find variations of the story structure. You might find plot, conflict, conclusion – or theme, climax, and conclusion. No matter how you word it, the basic answer is the same. Without any one of these elements, the story will flounder.
But you must expound on the following things, no matter what kind of story you are writing:
· Point of View
· Writing style
If you want to transfer your reader from their sofa or chair to the scene in your mind, you must use settings. This can be anything from an open window with a curtain blowing in the breeze to a murder scene in progress. The best idea is to open midway of an action scene. This will grab your audience quicker and keep them longer, as they read to find the outcome of the actions.
There is a difference between plot and theme. Plot is the series of events that occur in the story. Plot is what the story is about. Theme, on the other hand, is the underlying motivation that drives the story. The open window with the curtains blowing in the breeze is part of a setting, which in turn is part of the larger picture, the plot. Every time there is an event in the story, you must ask yourself these questions: "Why is the window open? How did the window get opened? Obviously, someone opened it. But why?" – then you are in the theme of the story. Always ask yourself, who, what, when, where, why and how. The answer to these questions is the theme that drives the story.
Point of view is how the reader sees the story. If you tell it in first person point of view (I went the store… ), the reader will see the story through your eyes. If you tell it in third person point of view, (He went to the store… ), the reader will see the story through the character's eyes. New writers usually like to write in first person, but most editors are now buying mostly third person. This new trend makes a huge difference in choosing your POV.
A few brief words on some of the above: Characterization – make your characters real to the reader by concentrating on descriptions, attitudes, failures, and quirks. Dialog – it's okay to use accents, but preferably not on the main character. And for settings – use anything that describes where a person is, or will be.