The following review was contributed by NORM GOLDMAN, EDITOR OF BOOKPLEASURES

One of the advantages of an “unauthorized” biography is that it should offer a more creative and exciting challenges to the biographer and a much greater illumination to the reader. There is always the danger when a biography is authorized that a conflict of interest may arise and the truth may be compromised.

Beverly Gray’s unauthorized biography Ron Howard From Mayberry to the Moon..and Beyond is a “putting the record straight” kind of a book, wherein some of the myths that have been prevalent in the press for so many years are explored and set aside.

Many of us have grown up with Ron Howard the child actor Opie Taylor on The Andy Griffith Show, and then as Richie Cunningham of Happy Days. Today, Ron Howard is a well known Hollywood film director and producer, who directed such films as: Through the Magic Pyramid, Night Shift, Cocoon, Willow, Parenthood, Backdraft, Far and Away, The Paper, Apollo 13, Ransom, How the Grinch Stole Christmas, and Academy award winner, A Beautiful Mind.

Gray practically begins her story from the cradle. Howard was born of parents, who themselves were actors, and at eighteen months he captured his first acting role as a crying baby, thanks to the efforts of his father. Throughout his life, his parents, Rance and Jean Howard, played a tremendous role in shaping his life, and at the tender age of five years his father had imparted in him professionalism and basic acting techniques that have remained with him throughout his career.

As we read Howard’s “unauthorized” biography, we are amazed at the extensive research that must have gone into the writing of this book, most of which was gleaned from Howard’s interviews with the media over the years, as well as the author’s interviews with many of his associates. One advantage of writing Howard’s biography in the prime of his life is that almost everyone is still around from his youth and his filmmaking career.

Practically no stone is left unturned, as we trudge along with the author from Howard’s early childhood until his present day directing achievements. We learn of his successes as well as his failures, and very often we are privy to some little known facts about him. As an example, Howard was in awe by director George Lucas’s talents and counter culture approach to filmmaking, as was in evidence in the film American Graffiti, where Howard had been asked to improvise scenes with other actors.

Movie buffs will surely appreciate the four appendices included at the end of the book that provide a timeline for the actor, filmography as an actor, filmography as a director and producer, and his major awards and honors.

One deficiency I found with the book, and one that is very prevalent in many biographies, is the creation of a narrative pattern that relies on the chronological tick of events; the day- by -day or year- by- year pattern should have been re-imagined. If the author had made Howard’s story more innovative, it would have been more attractive to its readers.