Annotated and edited by David M. Shapard

Published by Anchor Books, a division of Random House

ISBN:  9780-307-27810-4

“Pride and Prejudice” is such a delightful romantic comedy  that Jane Austen afficionados never tire of savoring its literary delights.  The character-transforming romance between the sparkling Elizabeth Bennet and the aloof but ultimately heroic Fitzwilliam Darcy and the book’s intriguing and often hilarious cast of secondary players have made “Pride and Prejudice” one of the most beloved classics of English literature.

Although the novel’s basic truths and characterizations are absolutely timeless – as evidenced by the many contemporary versions of the story, including films such as “Bride and Prejudice” and “Bridget Jones’s Diary” -- the first draft of the book was actually written towards the end of the 18^th century and finally published in 1813.  As such, the text contains occasional language and references which may not be readily understood by 21^st century readers.

Enter David M. Shapard’s new annotated version of the novel. Opposite each page of Austen’s text is a corresponding page of notes which not only offers elucidation on antiquated expressions but also presents in-depth expositions of character and plot developments as they unfold.

Of particular fascination are Shapard’s social history clarifications included in the notes. For instance, anyone who has even a passing knowledge of the book knows that Caroline Bingley is determined to captivate and extract a marriage proposal from Darcy and that she sees Elizabeth as a possible rival in that pursuit.  So when she invites Elizabeth to “take a turn about the room” in the presence of Mr. Darcy, she does so because she is certain that she can successfully compete with Elizabeth for Darcy’s attention in the arena of graceful walking   Shapard’s note gives further insight into this passage by revealing that ladies’ schools during Austen’s time placed an excessive emphasis on elegant movement, some going so far as to utilize a stationary carriage inside the school in order to practice graceful entering and exiting.

The obsequious gratitude that the hilarious Mr. Collins feels towards his patroness, Lady Catherine De Bourgh, is partly due to her having bestowed on him the position of local clergyman so quickly after his ordination.  According to Shapard’s informative note, Mr. Collins’ excessive gratitude is not wholly without foundation: only 20 % of clergymen during Austen’s time received a position within five years of their ordination. 

From the lovely painting on the front cover (which is actually annotated) to the maps at the book’s end,  David Shapard’s beautifully elucidative edition of “Pride and Prejudice” sets the novel perfectly within its historical framework and presents a delightfully valid excuse to plunge into its pages once again.

The above review was contributed by: Kathryn Atwood: Click Here To View More Of Kathryn's   Reviews:

Kathryn Atwood's poetry, reviews and essays have appeared in numerous online and print journals, including "The Aurora Review,", "Afterimage," "Void Magazine," "Wild Violet," and "PopMatters."  When she's not writing or driving her three kids around somewhere, she's usually teaching at a local music studio or givng vocal performances with her husband on the  subject of American song.